Rumens’s “white streets” conceal corruption, while Agard’s “star” and “beacon” expose deceit — both use light to reveal falsehoods within authority.

Rumens’s “impression of sunlight” fades beneath “tyrants,” while Agard’s “Toussaint de beacon” burns with anger — both show light as destructive fire.

Rumens’s glow evokes nostalgia, while Agard’s glare blinds — both question enlightenment’s promise.